Despite being only a teenager, Luce (Kelvin Harrison, Jr) has had an eventful life. Rescued from a war-torn country and adopted by an American couple, (Naomi Watts and Tim Roth), he becomes an excellent student, stellar athlete, and the pride of his school. But all he has worked for is in jeopardy when one of his teachers (Octavia Spencer) makes a troubling discovery in his locker. The question becomes is Luce the person everyone thought he was or does his teacher have a vendetta against him?

In my rich and varied experiences as a black man in America, I sometimes see films with African American casts and storylines, and I find myself asking, “Who wrote this?” Because in Luce, as in others, the behavior and dialogue lack authenticity. And almost always I find the writers are not people who know the African American experience. And such is the case with Luce, written and directed by Julius Onah, who was born in Nigeria and raised there as well as in the Philippines, Togo and, the United Kingdom. Onah did go to high school in Virginia while his father served as a diplomat in the U.S.

He creates three black teens in the story, Luce, who as the story references, is Obama-like – at least as it appears. The two others are thugs, fighting, swearing – every other word is MF and N. These young men are stereotypes. As a person who has taught and worked extensively with urban youth, I know that young black men are so much more diverse and complicated than this film shows- one good kid, maybe, and two hoodlums.

Octavia Spencer’s character, in addition to being at odds with Luce over the locker incident, has a mentally ill sister who shows up at the school one day and behaves in a disturbing fashion. This entire subplot adds nothing to the film.

Another problem with this story is one which is common in screenwriting when writers use dialogue to share information with viewers. There are discussions between people such as spouses who have been in longterm relationships, revealing information as “new” that any real couple would have talked about before.

Tim Roth and Naomi Watts who play Luce’s parents have a close relationship. But Roth who has no trouble being frank with his wife, states that from the beginning he had apprehensions about adopting Luce. His wife is surprised. But wouldn’t a husband who communicates with his wife have brought up these concerns before delving into the difficult process of adopting a child from another country? Or talked about it sometime in the over a decade and a half they have had Luce as part of their family? These doubts help viewers to understand the father’s view but are not credible because as devoted as this couple is betrayed to be, they would have had this discussion before.

This film shot in grainy 35 MM, leaves some questions about who’s right and who’s wrong in this story. But neither of those issues deflect from the quality of the movie. Luce is done in by its overwhelming lack of credibility.

It’s 109 minutes and R (for language throughout, sexual content, nudity, and some drug use). It gets our lowest rating, “Dead on Arrival!” In other words, skip this film.

A group of teens sitting in the parking lot of a liquor store, take turns trying to get adult strangers to buy alcohol for them. Finally, Maggie (Diana Silvers) the newest member of the group convinces a local veterinarian tech, Sue Ann (Octavia Spencer) to make the purchase for them. A few days later, Sue Ann does it again. This time she invites them to hang out at her house and tells them to call her “Ma”. At first, it seems too good to be true: being able to have Ma buy them booze and drink in the comfort of her basement that she even renovates for them. However, soon they learn this Ma is not the nurturer they thought she was. Her generosity is all part of a much larger and devious plan.

Ma, while she has her flaws, entertains. It gets a See It! rating. Octavia Spencer dominates in the leading role. And if she doesn’t, this film doesn’t work. As the center of the story, she embodies the full range of necessary emotions and behaviors. She’s warm, cold, hostile, perverse, sympathetic, and of course, evil. She’s the complex yet sympathetic villain. Approaching middle age, she harbors some long-simmering resentments going back to her high school days. Having been in the same town as her former classmates for decades, it’s not fully explained what suddenly sets her off.

The rest of the cast led by veteran actor, Juliette Lewis, is more than adequate in their various supporting roles.

The story is by Scotty Landes who co-wrote the screenplay with the director, Tate Taylor. Credit is due to these filmmakers for not having the usual absurd character reactions and behaviors usually associated with horror films.

There’s no going into a dark scary room where others have disappeared when logic dictates one should get the hell out of there!

One leap that writers take is with Ma’s lifestyle, or, one could say it could have been further developed. She’s a vet tech in a small Ohio town. But not only does she have a nice home, as mentioned, she remodels her basement and while initially the kids buy the liquor, but she takes over that duty, dishing out large sums to make sure that there’s plenty to drink. Again, all on a vet tech’s salary. Perhaps, she had an inheritance or hit a lottery.

The film set in Ohio was actually shot in Mississippi.

Ma gets an “A” for cast diversity scoring major points with an African American actress in the lead role in a horror film, which by itself is unusual.

Black actors Dante Brown and Tanyell Waivers have major supporting roles. Considering this is small-town Ohio, the high school scenes are appropriately diverse.

At a budget of a measly $5 million, in filmmaking terms, Ma is bound to make money!

Ma is rated R and is 99 minutes in length and you should See It!

Katherine Johnson delivers a powerful message to the Hampton University Class of 2017

Katherine Johnson, an African-American physicist, and mathematician, better known as the human computer and subject of the movie, Hidden Figures, delivered a message to the Hampton University Class of 2017 during their commencement program.

Johnson, a graduate of West Virginia State College (now West Virginia State University), a historically black college, made significant contributions to the United States' aeronautics and space programs with the early application of digital electronic computers at NASA.

Known for accuracy in computerized celestial navigation, Johnson conducted technical work at NASA that spanned decades. During this time, she calculated the trajectories, launch windows, and emergency backup return paths for many flights from Project Mercury, including the early NASA missions of John Glenn and Alan Shepard, and the 1969 Apollo 11 flight to the Moon, through the Space Shuttle program.

If you haven't seen the movie, Hidden Figures, you can probably stream it from Netflix, or watch it via your cable/satellite TV provider. It's a story you will never forget and undoubtedly will share with your family and friends.

Hidden Figures stars Taraji P. Henson, Octavia Spencer, Janelle Monae, and Kevin Costner.

Count on seeing Hidden Figures and definitely take your daughters to see these black women excelling in math, engineering, and computer operations

It’s the early sixties. Three black women traveling in a blue and white 1957 Chevrolet head to work. Few people would guess that Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) work at the National Aeronautics Space Administration (NASA). One is a mathematician, one an engineer and the other a computer expert. Hidden Figures tells the fascinating story of these three amazing women and the vital roles they play in getting America’s space program off the ground.

The story behind Hidden Figures is incredible on multiple levels. According to a People magazine article, numbers fascinated Katherine Johnson from her earliest days. She counts everything including the number of steps it takes to walk to school. She enters high school at 10 and then graduates from college at 18. Her highly supportive father moves their family as necessary to ensure that she takes full advantage of the educational opportunities offered to her. Dorothy Vaughan graduates from Wilberforce University in Ohio at an even younger age, 16.

Johnson, Vaughan, and Jackson benefit from a NASA program which hired black women during War World II. The agency is so impressed by the mathematic talents of these women (who were called “computers”), it continues the program after the war ends opening the door for later arrivals.

Hidden Figures doesn’t just tell the stories of these three geniuses but provides a portrait of the racial dynamics of that time period. Including the segregated facilities and the closed minds attempting to undermine these women’s efforts and talents. Jim Parsons (of the Big Bang Theory) plays Paul Stafford who works along with Johnson at the Langley Research Center and who undercuts her by not supplying the necessary information to complete her projects. And he deeply resents her checking and sometimes finding errors in his calculations - which is her job.

Kevin Costner plays Johnson’s and Stafford’s boss and often has to referee their disputes and more times than not, sides with Johnson. He is a firm but fair supervisor who is forced to examine the prevailing segregationist policies and their effect on people like Johnson and her ability to do her job. And how she walks a half mile across the NASA campus to go to the segregated, colored women’s bathroom. Or how someone in his own department brings in a separate coffee pot for her rather than have her continue to use the one the rest of the group uses.

Recently deceased astronaut John Glenn reflects an uncommon acceptance and support of the women. When the NASA employees stand outside in a greeting line to meet the astronauts, the white employees are first. After shaking hands with them, a handler directs the astronauts back inside before reaching the black women. Glenn ignores the directive and walks over to speak and shake hands with the ladies. And before his first voyage, he makes clear that he won’t take off until Johnson reviews the computations of the NASA’s new IBM computer.

Overall the film is well done. One interesting scene is when Johnson who is a widow, rips into a man she meets at church (who later becomes her husband) because he’s surprised to find out that she’s a senior mathematician for NASA. The whole world would be surprised at her occupation! Why shouldn’t he? He later apologizes for his close-mindedness.

As to cast diversity Hidden Figures, gets an “A”. It represents the situation as it existed racially at that time.

See Hidden Figures because it has that rare combination of being both educational and entertaining. Also see it because if it’s a box office hit, Hollywood will make more films like it. And we need more films like it. Definitely take your daughters to see these women excelling in math, science, engineering, and computer operations (technology). One final point, in addition to being a member of the composing team to score the music for Hidden Figures, music producer, Pharrell Williams, is also one of the producers of the movie.

Hidden Figures is just over 2 hours at 126 minutes. Rated PG for thematic elements and some language. It gets our highest rating: See It!

Taraji P. Henson, Nate Parker, Birth of a Nation, and Barbershop 3: The Next Cut, Get No Love from Golden Globes

The nominations for the 74th Annual Golden Globe Awards were announced this morning on NBC's "Today" live from the Beverly Hilton Hotel.

Denzel Washington, Ruth Negga, Mahershala Ali, Viola Davis, Octavia Spencer, Tracee Ellis Ross, Anthony Anderson, Issa Rae, Courtney B. Vance, Thandie Newton, Donald Glover, Kerry Washington, and Sterling K. Brown are among the actors vying for a Golden Globe Award. Hans Zimmer, Pharrell Williams, and Benjamin Wallfisch are nominated for Best Original Score – Motion Picture for Hidden Figures. The song, How Far I'll Go (Moana), written by Hamilton creator, Lin-Manuel Miranda, is nominated for Best Original Song – Motion Picture.

Although Washington received a nom for Best Actor in a Movie, Drama category for Fences, he failed to receive a Best Director nomination for directing the film. The movie, based on the August Wilson play of the same name, which also stars Viola Davis, who received an acting nomination, also failed to receive a nomination in the Best Picture - Drama category.

Filmmaker Barry Jenkins received a nomination for Best Direction – Motion Picture for Moonlight, and the film received a Golden Globe Best Motion Picture – Drama nomination.

Actors Don Cheadle, Laura Dern, and Anna Kendrick were joined by the Hollywood Foreign Press Association President Lorenzo Soria, Dick Clark Productions' executive VP of television, Barry Adelman, and the Miss Golden Globe trio — Sophia, Sistine, and Scarlet Stallone in announcing the nominees. Yes, the young ladies of the Miss Golden Globe trio are related to actor Sylvester Stallone; they are his daughters and will assist in handing out the trophies during the ceremony.

Produced by the Hollywood Foreign Press Association, the Golden Globe Awards will air live from the Beverly Hilton Hotel on NBC on Sunday, January 8, 2017, at 8-11 p.m. ET/5-8 p.m. PT. The ceremony will be hosted by comedian Jimmy Fallon.

Here is the full list of 2017 Golden Globe nominations:

Best Motion Picture – Drama:

"Hacksaw Ridge"
"Hell or High Water"
"Lion"
"Manchester By The Sea"
"Moonlight"

Best Motion Picture – Musical or Comedy:

"20th Century Women"
"Deadpool"
"La La Land"
"Florence Foster Jenkins"
"Sing Street"

Best Performance by an Actor in a Motion Picture – Drama:

Casey Affleck – "Manchester By The Sea"
Joel Edgerton – "Loving"
Andrew Garfield – "Hacksaw Ridge"
Viggo Mortensen – "Captain Fantastic"
Denzel Washington – "Fences"

Best Performance by an Actress in a Motion Picture – Drama:

Amy Adams – "Arrival"
Jessica Chastain – "Miss Sloane"
Isabelle Huppert – "Elle"
Ruth Negga – "Loving"
Natalie Portman – "Jackie"

Best Performance by an Actor in a Motion Picture – Musical or Comedy:

Colin Farrell – "The Lobster"
Ryan Gosling – "La La Land"
Hugh Grant – "Florence Foster Jenkins"
Jonah Hill – "War Dogs"
Ryan Reynolds – "Deadpool"

Best Performance by an Actress in a Motion Picture – Musical or Comedy:

Annette Bening – "20th Century Women"
Lily Collins – "Rules Don't Apply"
Hailee Steinfeld – "The Edge of Seventeen"
Emma Stone – "La La Land"
Meryl Streep – "Florence Foster Jenkins"

Best Performance by an Actor in a Supporting Role in a Motion Picture:

Mahershala Ali – "Moonlight"
Jeff Bridges – "Hell or High Water"
Simon Helberg – "Florence Foster Jenkins"
Dev Patel – "Lion"
Aaron Taylor-Johnson – "Nocturnal Animals"

Best Performance by an Actress in a Supporting Role in a Motion Picture:

Viola Davis – "Fences"
Naomie Harris – "Moonlight"
Nicole Kidman – "Lion"
Octavia Spencer – "Hidden Figures"
Michelle Williams – "Manchester by the Sea"

Best Director – Motion Picture:

Damien Chazelle – "La La Land"
Tom Ford – "Nocturnal Animals"
Mel Gibson – "Hacksaw Ridge"
Barry Jenkins – "Moonlight" 
Kenneth Lonergan – "Manchester by the Sea"

Best Original Screenplay:

"La La Land"
"Nocturnal Animals"
"Moonlight"
"Manchester By The Sea"
"Hell or High Water"

Best Motion Picture – Foreign Language:

"Divines" – France
"Elle" – France
"Neruda" – Chile
"The Salesman" – Iran/France
"Toni Erdmann" – Germany

Best Motion Picture – Animated:

"Kubo and the Two Strings"
"Moana"
"My Life As a Zucchini"
"Sing"
"Zootopia"

Best Original Song – Motion Picture:

"Can't Stop The Feeling" – "Trolls"
"City Of Stars" – La La Land
"Faith" – Sing
"Gold" – Gold
"How Far I'll Go" – Moana

Best Original Score – Motion Picture:

Nicholas Britell– "Moonlight"
Justin Hurwitz – "La La Land"
Johann Johannsson – "Arrival"
Dustin O'Halloran, Hauschka– "Lion
Hans Zimmer, Pharrell Williams, Benjamin Wallfisch – "Hidden Figures"

Best Television Series – Drama:

"The Crown"
"Game of Thrones"
"Stranger Things"
"This Is Us"
"Westworld"

Best Television Series – Musical or Comedy:

"Atlanta"
"Black-ish"
"Mozart In The Jungle"
"Transparent"
"Veep"

Best Performance by an Actor in a Television Series – Drama:

Rami Malek – "Mr. Robot"
Bob Odenkirk – "Better Call Saul"
Matthew Rhys – "The Americans"
Liev Schreiber – "Ray Donovan"
Billy Bob Thornton – "Goliath"

Best Performance by an Actress in a Television Series – Drama:

Caitriona Balfe – "Outlander"
Claire Foy – "The Crown"
Keri Russell – "The Americans"
Winona Ryder – "Stranger Things"
Evan Rachel Wood – "Westworld"

Best Performance by an Actor in a Television Series – Musical or Comedy:

Anthony Anderson – "Black-ish"
Gael García Bernal – "Mozart in the Jungle
Donald Glover – "Atlanta" 
Nick Nolte – "Graves"
Jeffrey Tambor – "Transparent"

Best Performance by an Actress in a Television Series – Musical or Comedy:

Rachel Bloom – "Crazy Ex-Girlfriend"
Julia Louis-Dreyfus – "Veep"
Sarah Jessica Parker – "Divorce"
Issa Rae – "Insecure"
Gina Rodriguez – "Jane the Virgin"
Tracee Ellis-Ross – "Black-ish"

Best Limited Series:

"American Crime"
"The Dresser"
"The Night Manager"
"The Night Of"
"The People v O.J. Simpson: American Crime Story"

Best Performance by an Actor in a Limited Series or Motion Picture Made for
Television:

Riz Ahmed – "The Night Of"
Bryan Cranston – "All The Way"
Tom Hiddleston – "The Night Manager"
John Turturro – "The Night Of"
Courtney B Vance – "The People v O.J. Simpson: American Crime Story"

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television:

Olivia Colman – "The Night Manager"
Lena Headey – "Game Of Thrones"
Chrissy Metz – "This Is Us"
Mandy Moore – "This Is Us"
Thandie Newton – "Westworld"

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

Felicity Huffman – "American Crime"
Riley Keough – "The Girlfriend Experience"
Sarah Paulson – "The People v O.J. Simpson: American Crime Story"
Charlotte Rampling – "London Spy"
Kerry Washington – "Confirmation"

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:

Sterling K Brown – "The People v O.J. Simpson: American Crime Story"
Hugh Laurie – "The Night Manager"
John Lithgow – "The Crown"
Christian Slater – "Mr. Robot"
John Travolta – "The People v O.J. Simpson: American Crime Story"